I co-founded Monkfish because I wanted to create opportunities where artists from a variety of disciplines could collaborate and make new work, and in doing so generate audiences for this approach. As a practising artist myself, I was frustrated in 2007 by the lack of opportunities in the North East of England to do that. So with the support of many great people, I set the ball rolling. I have over 20 years of professional experience in arts and cultural management.
I am a visual arts and creativity adviser and consultant, an artist, creative coach and active advocate for visual arts in education. A past president of NSEAD and a world councillor for INSEA, I am also secretary to the All Party Parliamentary Group on Art, Craft and Design in Education.
John Bowers is an artist-researcher with an academic background in the social and computing sciences, design, music and critical theory. As an improvising musician, he works with modular synthesisers, home-brew electronics, reconstructions of antique image and sound-making devices, self-made software, field recordings, esoteric sensor systems, and spoken text. He often combines performance with walking and the investigation of selected sites to research an imagined discipline he calls ‘mythogeosonics’. He has performed at festivals including the collateral programme of the Venice Biennale, Transmediale/CTM Vorspiel Berlin, Piksel Bergen, Electropixel Nantes, BEAM London, Aldeburgh Festival and Spill Ipswich, and toured with the Rambert Dance Company performing David Tudor’s music to Merce Cunningham’s Rainforest. He contributed to the design of The Prayer Companion - a piece exhibited twice at the Museum Of Modern Art (MoMA), New York, and acquired for their permanent collection. Amongst many musical collaborations, he works with Sten-Olof Hellström, Tim Shaw, Kerry Hagan, Paul Stapleton and in the noise drone band Tonesucker. He helps coordinate the label Onoma Research and works in Culture Lab and Fine Art, Newcastle University.